September 2023 < Back Some Old Day - Key of G 'Til the End of the World Rolls 'Round - Key of G I Am a Pilgrim - Key of G Girl From West Virginia - Key of G Jambalaya - Key of C Lonesome Pine - Key of E Sitting on Top of the World - Key of G Midnight Special - Key of A I Want to Sing That Rock and Roll - Key of G Soldier's Joy - Key of D Worried Man Blues - Key of G Tear My Stillhouse Down - Key of G Previous Next

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Bluegrass Jam Songs Bluegrass songs often have varying lyrics from version to version. Included here are an approximation of lyrics that will get you through most jams. Don't get too concerned if the verses come up in a different order or if some lyrics are different. It all follows the same structure - and that's what's most important in a jam. Speaking of structure, bluegrass songs typically follow a verse/chorus pattern. In the following tunes, the chorus is indented and only written out once - to save space. It should be repeated and inserted where appropriate. Additionally, instrumental breaks usually follow the structure of the verse. The following tunes have been transcribed in a "transposed" version for instruments using a capo, a "concert pitch" version for instruments not using a capo, and a "nashville" version that uses chord numbers instead of letters. They have been formatted in a PDF file so that they're easy to download and view on one sheet. The video links should match the key provided for that tune so you can play along. Some older recordings might be slightly off from our electronic A=440 standard tuning. *Please send a message if any "dead" links turn up. Since the videos are sourced from YouTube, their owners may occasionally make changes that have impacts here. **More songs are coming. Please send a message if you'd like a particular tune in this format. 'Til the End of the World Rolls 'Round A Few Old Memories A Hundred and Ten in the Shade Ain't Nobody Gonna Miss Me Are You Waiting Just for Me Banks of the Ohio Big Spike Hammer Blue Night Blue Railroad Train Blue Ridge Cabin Home Blue Ridge Mountain Blues Bootleg John Bury Me Beneath The Willow Cry, Cry Darlin' Dark Hollow Endless Highway Going to the Races Hard Hearted Head Over Heels Hello Mary Lou High on a Mountain Top Honey You Don't Know My Mind How Mountain Girls Can Love I Ain't Broke (But I'm Badly Bent) I Haven't Got the Right to Love You I Saw the Light I Wonder if You Feel the Way I Do I Wonder Where You Are Tonight I'll Stay Around I'm Blue, I'm Lonesome I'm Gonna Sleep with One Eye Open I'm On My Way Back to the Old Home If I Lose If I Should Wander Back Tonight In the Gravel Yard In the Pines It's Might Dark to Travel Jambalaya Keep on the Sunny Side Knockin' on Your Door Let Me Be Your Friend Little Cabin Home on the Hill Long Gone Long Journey Home Lost Highway Love, Please Come Home Man of Constant Sorrow Molly and Tenbrooks Mountain Dew My Home's Across the Blue Ridge Mountains My Little Georgia Rose My Rose of Old Kentucky My Walkin' Shoes Nine Pound Hammer Ninety-Nine Years Old Train Pig in a Pen Raised by the Railroad Line Rocky Road Blues Roll In My Sweet Baby's Arms Salty Dog Blues Sitting on Top of the World Some Old Day Steel Rails Sunny Side of the Mountain The Train that Carried My Girl from Town Think of What You've Done Those Memories of You Toy Heart Uncle Pen We Live In Two Different Worlds Dear White Freight Liner Blues Wild Bill Jones Will The Circle Be Unbroken Will You Be Loving Another Man Worried Man Blues Your Love Is Like A Flower

Concert Pitch - Blue Ridge Cabin Home.pdf Nashville - Blue Ridge Cabin Home.pdf

Nashville - Toy Heart.pdf

Banjolele/Ukulele Ukuleles are not part of the typical bluegrass ensemble. Due to a renewed popularity in the United States, they are becoming more common at bluegrass jams. A major hurdle for ukes is the ability to be heard in such a large group. The combination of the small size and nylon strings makes projecting the sound quite a challenge. One solution to this is playing a banjolele. It is the same size and tuning as a ukulele but being built on a banjo body means that it is typically louder and projects better than a traditional ukulele. If a banjolele isn't an option, then using larger ukulele sizes like tenor- or concert-sized ukuleles could be helpful. Left - Stella Banjolele - This banjolele was built in the heyday of banjo ukes in the 1920s. It has been upgraded with Ratio Tune-A-Lele Ukulele Tuners . The original "friction" tuners did not hold the tension of the strings very well. These upgraded tuners are "geared" but have a very small footprint. Right - Harmony Baritone Ukulele - Baritone ukuleles are tuned like the top 4 strings of a guitar - DGBE. This one has been upgraded with Grover geared ukulele tuners .

Concert Pitch - Man of Constant Sorrow.p Nashville - Man of Constant Sorrow.pdf

Concert Pitch - Banks of the Ohio.pdf Nashville - Banks of the Ohio.pdf

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Dobro/Resonator Capos Shubb C6b - This is often the "first" capo for dobro players because it is so similar in form to a traditional guitar capo - in cost as well . One major advantage to this style capo is that the brass bar sits on top of the fret so it is always accurately lined up to play in tune. A considerable disadvantage is that each capo needs to be adjusted and set up for the guitar it is going to be used on. If you're using a Shubb, consult their website to make sure it is properly adjusted for the resonator guitar on which it's being used. Charlie's Slide Pro Capo - This capo ignores the neck of the guitar and attaches directly to the strings. Charlie's capo also has great one-handed adjustment with the wedge mechanism it uses to tighten the capo to the strings. It is small but heavy - a good thing - to get the most tone out of the instrument. Since it is attached only to the strings, a tuner - or very good ear - is essential to making sure it is positioned in the correct place. Sometimes perspective can cause it to be askew. It is expensive, but is sold directly from the manufacturer so there's never the hunt to find it "in stock" somewhere. *Not Pictured - Beard Wave Capo - This capo functions in a similar manner to Charlie's. The main difference is that the Beard Wave uses a screw/wheel to tighten the capo to the strings. This capo is a little more refined looking than Charlie's, is slightly more affordable, but can be difficult to find "in stock" at this time.

The Sandy Spring Bluegrass Jam! If you're in the Washington, DC/Central MD area, come join the Sandy Spring Bluegrass Jam. We usually meet on the 4th Sunday of every month from 2pm-4pm at the Sandy Spring Museum. All ability levels are encouraged to attend! Advanced registration is strongly encouraged. Jam Etiquette Sandy Spring Bluegrass Jam Archives

Jambalaya - Nashville.pdf